Intergenre / Hybrid
“from Living Environments: New Mess” — VOLT (forthcoming, print)
“Positions” & “Geographies” — The Kenyon Review “Nature’s Nature” folio, with a generous introduction by Philip Metres
Poetry
Tussle (chapbook) — dancing girl press
“new emergencies” — Verse Daily
“new emergencies” (series) — ANMLY
“measurements of distance / an archive”; “every face, a variation”; “the photographer searches a subject”; “the photographer is a subject” & “the photographer shuts the shutters”— West Branch (print)
“Chapter in which she watches the Kavanaugh hearing” & “The function of an eye is to translate” — Colorado Review (print)
“Inside excitement is a strand of terror” — Blackbird
“Chapter in which two characters tussle” — DIAGRAM
“[fr. 130]” — Denver Quarterly (print)
“Chapter in which an oculus opens” — Indiana Review (print) & reprinted in poets.org
“Believing is a chore” & “To smell is to activate the nape” — Poetry Northwest (print)
“Chapter in which an aperture closes in on several details, revealing the scene” — Vinyl Poetry and Prose
Prose / Reviews
“When Every Neighbor’s a Firecracker: On Seeing People Off by Jana Beňová” — Kenyon Review
“The Cat Astir About the Room” — The Common Reader: A Journal of the Essay
“Meditation on ‘Cell/(ph)one” — Behind the Lines: Poetry, War, & Peacemaking
“In [their] mind-bending debut Tussle, Paige Webb restages the old Western philosophical problem of the subject-object split as a wrestle between a quicksilver mind and erotic consciousness, which perceives the interpenetration of seeing and seen, of self and everything else. Ecologically astute and philosophically sharp, Webb’s cubistic poems remind of Gertrude Stein, Virginia Woolf, and Anne Carson. “Who doesn’t want to be,” Webb asks, looking at bees floating in a pool, “quietly wild, unshaven, drenched in collision?” Reader, drench yourself in this collision.” - Philip Metres